The frame is superbly engraved with a stallion in a landscape on the left side and a fearsome bull on the right. The artistic execution of the panels remained unequaled in the 19th century. The underside of the frame in minutely engraved with a bordered panel two bucolic villagers amid trees, and a deer in a field scene on the folding trigger. The round turn off barrel features exquisitely rendered border engraving of leaves and foliage and a panel with a French lady in Empire dress carrying a basket over her right arm. The swan neck hammer is engraved with stars and the frizzen and top-jaw in suite. The pan fence is engraved, as are all the screw heads. The frame is signed in full “BOUTET/DIRECTEUR/ARTISTE” and the barrel further signed “MANUFre A VERSAILLES”. The push on button safety is engraved as well. The finely molded ebony grip is elaborately inlaid throughout its surface with winged dragons, a large gryphon, leaves, and scrolling foliage. Every aspect of this lovely pistol is a tribute to Nicholas Boutet as perhaps the greatest maker of high art arms of all time. Boutet’s works are highly prized by national museums from the Metropolitan, to the Hermitage, to France’s own Musee de l’Armee. There are only three gold mounted Boutet flintlock pocket pistols in private hands in the United States. A pair with similar but not as elaborate gold inlaid grips is part of a garniture which was purchased for more than five million dollars. A copy of an exhibition catalog, Three Centuries of Tradition, featuring the garniture is included.